Thesis Contents

Chapter 1 (Establishing the field of study)
1.0	Introduction
1.1	Introduction to context
1.2	Purpose of study
1.3	A word about me
1.4	The research questions
1.5	Methodology
1.6	Terms and definitions
1.7	My aesthetic
1.8	Techniques and technology
1.9	The hegemonies of the new media aesthetic
1.10	Short literature review
1.11	Supporting critical theory. preferred perspective: the interstitial and cybertext paradigms
1.12	Contemporary artwork context review Introduction
1.12.1	Introduction new media art :Including visual examples
1.12.2	Introduction design :Including visual examples
1.12.3	Introduction programmatic :Including visual examples
1.12.4	Introduction hybrid :Including visual examples
1.13	Artist statement
1.14	Synthesis
1.15	Introduction to research question A :Including Responsive Diagrams
1.15.1	Summary
1.15.2	Conclusion

Chapter 2 (Answering the Research Questions by Practice)
2.0	The preparatory practice - Introduction research question B
2.01	Angel Interceptor
2.02	The Bloody Chamber
2.03	The preparatory practice - Synthesis
2.1	To begin in the dark. Artwork - Deviant: The Possession of Christian Shaw
2.1.1	Introduction Deviant: The Possession of Christian Shaw
2.1.2	Practice as sketches
2.1.3	Onscreen aesthetics
2.1.4	Chronology of the production
2.1.5	Deviant conclusions
2.2	The readers and the method
2.2.1	The outcomes
2.2.2	Universal outcomes
2.2.3	Split outcomes
2.2.4	Unexpected outcomes
2.2.5	In summary
2.3	Conclusion
2.3.1	What else was revealed?
2.3.2	Insights and omissions